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Time of issue:2020-11-11 17:07:56

Xinle Site is a settlement site of the Neolithic Age of primitive society in my country. Located on the loess platform on the north bank of the Guhun River in Shenyang City, Liaoning Province. Found in 1973, after several times...[detailed]

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Appreciation and Analysis of Essays from Xinle and Me
Appreciation and Analysis of Essays from Xinle and Me
SpeakingofXinlesite,itshouldbenotfarfromwhereIlive,butIhaveneverbeenabletoseeit.Lastyear,inorderforMr.JeanPoonte,whoisfromFranceandhasastronginterestinChineseculture,tounderstandthehistoryofShenyang,IarrangedforhimtovisittheXinlesiteduringhisstayinShenyang.  WhenourpartycametotheXinlesite,fewpeoplesawit.Weboughtticketsandsawseveralruins.ComparedwiththesilentmonumentssuchastheForbiddenCity,theXinleruinshaveChineseexplanationswhentheyenterthedoor.Afterwalkingaround,wehavesomeunderstandingoftheXinlesite,butMr.JeanBontmaynotknowmuch.IcanonlyintroducehiminafewsentencesinEnglish.Andtooksomephotosinthemuseum.  DuetotherelocationofErhuiyi,themomentumismuchsmallerthanthatofdomestichistoricalsites.Thelayoutofthemuseumfeelsthatitisnotbrightenough.Thereseemstobenopostureofthememorialhall.  Ihavenotbeentosee,thisisalsothecurrentsituationofXinleSiteinShenyangpeople.Inrecentdays,inordertocommemoratethediscoveryoftheXinlesite,severalrelatedarticleshavebeenpublishedinthemedia,whichhasgivenmeadeeperunderstandingofthehistoricalroleoftheXinlesite.WhydopeopleinShenyangcarenotenoughabouttheirancestors?Therearecertainproblemswithinsufficientrelatedpublicityandeducation.IrememberwhenIwenttoSingapore,wherestudentswereoftenorganizedtoswimtheSingaporeRivertoletthemknowthehistoryofSingapore.AndourhistoryinShenyang,apartfromchasingbacktotheearlyQingera,whatistheearliestShenyang?PeopleinShenyangknowtoolittle.  Today’sactivitiesareagoodstart,sothatpeopleinShenchengpaymoreattentiontowhatourancestorslookedlike.Asapavilion,wemustfacetheworldsothatmoreforeignerscanunderstandShenyang,understandChineseculture,anddoagoodjobofexplanationisthetoppriority.Connectwiththeworld,makeaheadsetforsimultaneoustranslation,andaskforeignfriendswhocometotheexhibitionhalltotakeitandvisitagain.Itwillhaveverygoodresults.  ItissaidthattheXinlesitewillengageinarchaeologicalexcavationswithmassparticipation.Thisisagoodthing,andthereisnoprecedentinChina.UsingthisessayessayactivitytofindpeoplewhoareconcernedabouttheXinlesiteandletthempersonallyparticipateintheexcavationofthesiteisanunusualmove.Ibelieveitwillleaveaveryunforgettableimpressiononmanypeople.
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SpeakingofXinlesite,itshouldbenotfarfromwhereIlive,butIhaveneverbeenabletoseeit.Lastyear,inorderforMr.JeanPoonte,whoisfromFranceandhasastronginterestinChineseculture,tounderstandthehistoryofShenyang,IarrangedforhimtovisittheXinlesiteduringhisstayinShenyang.  WhenourpartycametotheXinlesite,fewpeoplesawit.Weboughtticketsandsawseveralruins.ComparedwiththesilentmonumentssuchastheForbiddenCity,theXinleruinshaveChineseexplanationswhentheyenterthedoor.Afterwalkingaround,wehavesomeunderstandingoftheXinlesite,butMr.JeanBontmaynotknowmuch.IcanonlyintroducehiminafewsentencesinEnglish.Andtooksomephotosinthemuseum.  DuetotherelocationofErhuiyi,themomentumismuchsmallerthanthatofdomestichistoricalsites.Thelayoutofthemuseumfeelsthatitisnotbrightenough.Thereseemstobenopostureofthememorialhall.  Ihavenotbeentosee,thisisalsothecurrentsituationofXinleSiteinShenyangpeople.Inrecentdays,inordertocommemoratethediscoveryoftheXinlesite,severalrelatedarticleshavebeenpublishedinthemedia,whichhasgivenmeadeeperunderstandingofthehistoricalroleoftheXinlesite.WhydopeopleinShenyangcarenotenoughabouttheirancestors?Therearecertainproblemswithinsufficientrelatedpublicityandeducation.IrememberwhenIwenttoSingapore,wherestudentswereoftenorganizedtoswimtheSingaporeRivertoletthemknowthehistoryofSingapore.AndourhistoryinShenyang,apartfromchasingbacktotheearlyQingera,whatistheearliestShenyang?PeopleinShenyangknowtoolittle.  Today’sactivitiesareagoodstart,sothatpeopleinShenchengpaymoreattentiontowhatourancestorslookedlike.Asapavilion,wemustfacetheworldsothatmoreforeignerscanunderstandShenyang,understandChineseculture,anddoagoodjobofexplanationisthetoppriority.Connectwiththeworld,makeaheadsetforsimultaneoustranslation,andaskforeignfriendswhocometotheexhibitionhalltotakeitandvisitagain.Itwillhaveverygoodresults.  ItissaidthattheXinlesitewillengageinarchaeologicalexcavationswithmassparticipation.Thisisagoodthing,andthereisnoprecedentinChina.UsingthisessayessayactivitytofindpeoplewhoareconcernedabouttheXinlesiteandletthempersonallyparticipateintheexcavationofthesiteisanunusualmove.Ibelieveitwillleaveaveryunforgettableimpressiononmanypeople.
Appreciation of Xinle Essays and Me-"Rereading Xinle Site"
Appreciation of Xinle Essays and Me-"Rereading Xinle Site"
ShenyangXinleRuinsisabigbook.Ifyousimplybrowsethroughit,notonlyyoucan’tfindthelivelyscene,butyoucan’tevenfigureoutwhattosee.Youwillfeeluncomfortable...Ifyoudoalittlehomeworkbeforeorafterthevisit,itwillbetargeted.Readaboutprimitivesociety,lookupancienthumans,andthenentertheXinlesite.Thefeelingiscompletelydifferent.Thethingshiddenbehindthepagesofthebookaresogorgeousandcolorful,fullofinterest,shocking,overwhelming,lingeringandforgetting.Theweightofhistoryandculturehere...Ihaveonlyseenandgainedfromthisonce,andIwillwritedownthefollowing:  Three-dimensionalnewmusic  XinleisahumanculturalsiteintheNeolithicAge.Therearethreelayersofancientculturalaccumulation:theupperlayerisabout3000-4000yearsago;themiddlelayerisabout5000-6000yearsago;thelowerlayerisabout6800yearsago.Thesecondhousesiteisabout7245yearsago,anditsgeneralstatementis7200yearsago.ItmustbeaddedherethatthePaleolithicAgeisknowntobe3.96millionyearsold,whiletheNeolithicAgecharacterizedbypolishedstonetoolsislessthan10,000yearsold.Thenitenteredthecombineduseofgoldandstone,thelegendaryYao,ShunandYuera.  This7,200yearsago,wasonlythestartingpointofthediscoverednewmusicculture.Itwasaflatsurface,whilethehistorywasthree-dimensionalandmulti-faceted.Youmightaswelltakealookatthethree-dimensionalnewmusic  Fromtheperspectiveofgeologicalage:fromtheMiocenetothePliocene,Pleistocene,andHolocene.XinlecultureappearedintheearlyHolocene.  Fromthearchaeologicalage:theageofnaturalwoodandstoneisusedtodevelopintothePaleolithic,Mesolithic,Neolithic,andcombineduseofgoldandstone.XinleculturecoincideswiththeNeolithicAge.Fromtheperspectiveofhumanbeingsandculture:fromAustralopithecustoYuanmou,Lantian,Peking,Dali,Maba,Xujiayao,Dingcun,Liujiang,Zuozhen,etc.,Shayuanculture,Hemuduculture,YangshaoCulture,MajiayaoCulture,DawenkouCulture,LongshanCulture,etc.OurXinlecultureisthesameperiodasHemuducultureandYangshaoculture.  Fromtheperspectiveofsocialorganization:fromtheoriginalprimitivegrouptobloodfamilysettlementsandclansettlements.Xinlepeoplehaveenteredthelatematrilinealclan.  Fromtheperspectiveofmarriage:humanbeingshavedevelopedfromhybridizationtobloodgroupmarriages,extra-ethnicgroupmarriages,pairmarriages,andmonogamy.Xinlepeopleareinthestageofextra-ethnicpairmarriages.  Fromtheageoflegend:itwastheYouchaofamilyatfirst,andtheSuirenfamily,Fuxifamily,Shennongfamily,Huangdi,Yaoshunyu.XinleisintheShennongera.Inthisway,wecanseethethree-dimensionalXinlerensocietythatbegan7200yearsago.TheywereintheearlyHolocene,theNeolithicAge,andthesamegenerationasthefamousHemuduculture,thatis,thelegendaryShennongera,andtheylivedamatriarchalline.Thelifeoftheclan’slatedualmarriage,andithasbeencontinuouslydevelopingtowards5000,4000,3000yearsago...  Xinlepeoplearenotalone  TheShenyangXinleSiteisnotisolatedinthewholecountry,norisitisolatedontheblacklandofNortheastChina.Pleasetakealookatseveralhumanculturalsitesthatprosperednearbyanddiscoveredinrecentyears.Thisarticleislistedinorderofitshistory:  Thesiteofthe"Miaohoushanren"inShanchengziVillage,BenxiCounty.FossilsofancienthumancanineteethfromtheHomoerectusstageof500,000to450,000yearsagowereunearthed;animalfossilssuchasplumrhinoceros,saber-toothedtiger,andSanmenhorsesthatwereextinct200,000yearsago;molartoothfossilsofancienthumansfrom200,000to50,000yearsago,leftofjuvenilehumansFemoralfossils,etc...Ancienthumanslivedhereforalongtimeandmovedoutabout10,000yearsago.  YingkouDashiqiaoJinniuMountainSite.Morethan50bonefossils,animalfossils,humanfirerelics,burnedbones,burnedsoil,andasmallnumberofstonetoolswereunearthedfromtheMiddlePleistocenehumanskullsandspine,similartothesituationofthePekingman.  XuetianPaleolithicCulturalSite,WuchangCounty,Harbin.HumanbonefossilsfromthelatePaleolithicagefrom7to5yearshavebeenunearthed.  Therearemanyundiscoveredruins.TheXinlesiteisintheascendantdevelopmentcircleofhumancultureandhistory.  housestonefire  Lookingback,basedontheseunearthedobjects,imaginethelifeandlaborofXinlepeople.  Settlementistheneedofprimitiveagriculturaldevelopment,andsettlementisreflectedintheappearanceofhousesandvillages.AnyonewhovisitstheXinlesitehasseenthehalf-cryptedhutsbuiltintheoriginalstate.Theauthorthinksthatitsoriginalversionwillnotbesolightandbeautiful,itwillbemorebloated,morepractical,andmoreshelteredfromwindandrain...AlthoughthewhereaboutsofXinlepeopleisamystery,thiskindofhalf-pit-styledwellingshasbeenpasseddown.Comedown.Accordingtohistoricalrecords,theearlyhousesoftheNortheastJurchenpeopleinlatergenerationsweremostlyinthiskindofground-scentingstyle.UntiltheQingDynasty,thehousesintheGuandongwerestillbuiltwithearthenhousesandhorse-framedandforeigngrass.ThiskindofhousewasretaineduntiltheliberationoftheNortheastatthelatest.Ofcourse,theearthen-walledthatchedhouse,whichonceoccupiedalong-termdominantpositionintheresidentialbuildingsintheNortheast,developedonitsbasis.  Breakingthestoneintoatool,breakingthestoneandthengrindingitasneeded,hasbecomeasignandturningpointofthetimes.Someexpertsfeltintheirwritingsthatamongthestone,jade,andfiredpotteryunearthedinXinle,thereweresignific
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ShenyangXinleRuinsisabigbook.Ifyousimplybrowsethroughit,notonlyyoucan’tfindthelivelyscene,butyoucan’tevenfigureoutwhattosee.Youwillfeeluncomfortable...Ifyoudoalittlehomeworkbeforeorafterthevisit,itwillbetargeted.Readaboutprimitivesociety,lookupancienthumans,andthenentertheXinlesite.Thefeelingiscompletelydifferent.Thethingshiddenbehindthepagesofthebookaresogorgeousandcolorful,fullofinterest,shocking,overwhelming,lingeringandforgetting.Theweightofhistoryandculturehere...Ihaveonlyseenandgainedfromthisonce,andIwillwritedownthefollowing:  Three-dimensionalnewmusic  XinleisahumanculturalsiteintheNeolithicAge.Therearethreelayersofancientculturalaccumulation:theupperlayerisabout3000-4000yearsago;themiddlelayerisabout5000-6000yearsago;thelowerlayerisabout6800yearsago.Thesecondhousesiteisabout7245yearsago,anditsgeneralstatementis7200yearsago.ItmustbeaddedherethatthePaleolithicAgeisknowntobe3.96millionyearsold,whiletheNeolithicAgecharacterizedbypolishedstonetoolsislessthan10,000yearsold.Thenitenteredthecombineduseofgoldandstone,thelegendaryYao,ShunandYuera.  This7,200yearsago,wasonlythestartingpointofthediscoverednewmusicculture.Itwasaflatsurface,whilethehistorywasthree-dimensionalandmulti-faceted.Youmightaswelltakealookatthethree-dimensionalnewmusic  Fromtheperspectiveofgeologicalage:fromtheMiocenetothePliocene,Pleistocene,andHolocene.XinlecultureappearedintheearlyHolocene.  Fromthearchaeologicalage:theageofnaturalwoodandstoneisusedtodevelopintothePaleolithic,Mesolithic,Neolithic,andcombineduseofgoldandstone.XinleculturecoincideswiththeNeolithicAge.Fromtheperspectiveofhumanbeingsandculture:fromAustralopithecustoYuanmou,Lantian,Peking,Dali,Maba,Xujiayao,Dingcun,Liujiang,Zuozhen,etc.,Shayuanculture,Hemuduculture,YangshaoCulture,MajiayaoCulture,DawenkouCulture,LongshanCulture,etc.OurXinlecultureisthesameperiodasHemuducultureandYangshaoculture.  Fromtheperspectiveofsocialorganization:fromtheoriginalprimitivegrouptobloodfamilysettlementsandclansettlements.Xinlepeoplehaveenteredthelatematrilinealclan.  Fromtheperspectiveofmarriage:humanbeingshavedevelopedfromhybridizationtobloodgroupmarriages,extra-ethnicgroupmarriages,pairmarriages,andmonogamy.Xinlepeopleareinthestageofextra-ethnicpairmarriages.  Fromtheageoflegend:itwastheYouchaofamilyatfirst,andtheSuirenfamily,Fuxifamily,Shennongfamily,Huangdi,Yaoshunyu.XinleisintheShennongera.Inthisway,wecanseethethree-dimensionalXinlerensocietythatbegan7200yearsago.TheywereintheearlyHolocene,theNeolithicAge,andthesamegenerationasthefamousHemuduculture,thatis,thelegendaryShennongera,andtheylivedamatriarchalline.Thelifeoftheclan’slatedualmarriage,andithasbeencontinuouslydevelopingtowards5000,4000,3000yearsago...  Xinlepeoplearenotalone  TheShenyangXinleSiteisnotisolatedinthewholecountry,norisitisolatedontheblacklandofNortheastChina.Pleasetakealookatseveralhumanculturalsitesthatprosperednearbyanddiscoveredinrecentyears.Thisarticleislistedinorderofitshistory:  Thesiteofthe"Miaohoushanren"inShanchengziVillage,BenxiCounty.FossilsofancienthumancanineteethfromtheHomoerectusstageof500,000to450,000yearsagowereunearthed;animalfossilssuchasplumrhinoceros,saber-toothedtiger,andSanmenhorsesthatwereextinct200,000yearsago;molartoothfossilsofancienthumansfrom200,000to50,000yearsago,leftofjuvenilehumansFemoralfossils,etc...Ancienthumanslivedhereforalongtimeandmovedoutabout10,000yearsago.  YingkouDashiqiaoJinniuMountainSite.Morethan50bonefossils,animalfossils,humanfirerelics,burnedbones,burnedsoil,andasmallnumberofstonetoolswereunearthedfromtheMiddlePleistocenehumanskullsandspine,similartothesituationofthePekingman.  XuetianPaleolithicCulturalSite,WuchangCounty,Harbin.HumanbonefossilsfromthelatePaleolithicagefrom7to5yearshavebeenunearthed.  Therearemanyundiscoveredruins.TheXinlesiteisintheascendantdevelopmentcircleofhumancultureandhistory.  housestonefire  Lookingback,basedontheseunearthedobjects,imaginethelifeandlaborofXinlepeople.  Settlementistheneedofprimitiveagriculturaldevelopment,andsettlementisreflectedintheappearanceofhousesandvillages.AnyonewhovisitstheXinlesitehasseenthehalf-cryptedhutsbuiltintheoriginalstate.Theauthorthinksthatitsoriginalversionwillnotbesolightandbeautiful,itwillbemorebloated,morepractical,andmoreshelteredfromwindandrain...AlthoughthewhereaboutsofXinlepeopleisamystery,thiskindofhalf-pit-styledwellingshasbeenpasseddown.Comedown.Accordingtohistoricalrecords,theearlyhousesoftheNortheastJurchenpeopleinlatergenerationsweremostlyinthiskindofground-scentingstyle.UntiltheQingDynasty,thehousesintheGuandongwerestillbuiltwithearthenhousesandhorse-framedandforeigngrass.ThiskindofhousewasretaineduntiltheliberationoftheNortheastatthelatest.Ofcourse,theearthen-walledthatchedhouse,whichonceoccupiedalong-termdominantpositionintheresidentialbuildingsintheNortheast,developedonitsbasis.  Breakingthestoneintoatool,breakingthestoneandthengrindingitasneeded,hasbecomeasignandturningpointofthetimes.Someexpertsfeltintheirwritingsthatamongthestone,jade,andfiredpotteryunearthedinXinle,thereweresignific
Permanent exhibition
Permanent exhibition
2014-02-11 09:59:00
CulturalRelicsExhibitionHall  ShenyangXinleSiteMuseumisarelic-typemuseumwiththethemeofXinleculturalconnotation.Themuseumwasestablishedin1984.Theexhibitionareaisabout2,000squaremeters.Itexhibits376unearthedculturalrelicsofthethreeculturaltypesoftheXinleUpperCulture,thePianpuziCultureandtheXinleLowerCulturethataresuperimposedinthesitearea..Theupper-classcultureofXinleismainlyrepresentedbypolishedstonewareandplainpotterysuchas鬲and甗.Itisabout3,000to4,000yearsago.ThePianpuzicultureisalateNeolithicarcheologicalculturefollowingthelower-levelcultureofXinle.Itismainlyrepresentedbypolishedstoneaxes,finestonetools,andpotterypots,potsandbowlswithpiledpatterns.Itis5,000yearsago.Xinle’slower-levelcultureismainlyrepresentedbystone-madetools,polishedstonetools,finestonetools,refinedcoalproducts,anddeep-bellypotswiththe“Zhi”patternasitsmainrepresentatives.Itisabout7,000yearsago.Thecontentoftheupper-levelculturaldisplayofXinleiscomposedoffourparts:sitedistribution,settlementpatterns,tombcustoms,andculturalrelics.Thecontentofthelower-levelculturaldisplayofXinleiscomposedofthebeginningofcivilization,sunrise,fishingandhunting,totemworship,culturalmystery,etc.composition.Intheformoftheexhibition,multimediaimagingtechnologiessuchasphantomimaging,virtualinteraction,andauxiliaryscenedisplayareusedtofullyinterpretthegreatachievementscreatedbytheproduction,life,andspiritualandculturallifeoftheXinleancestors.
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CulturalRelicsExhibitionHall  ShenyangXinleSiteMuseumisarelic-typemuseumwiththethemeofXinleculturalconnotation.Themuseumwasestablishedin1984.Theexhibitionareaisabout2,000squaremeters.Itexhibits376unearthedculturalrelicsofthethreeculturaltypesoftheXinleUpperCulture,thePianpuziCultureandtheXinleLowerCulturethataresuperimposedinthesitearea..Theupper-classcultureofXinleismainlyrepresentedbypolishedstonewareandplainpotterysuchas鬲and甗.Itisabout3,000to4,000yearsago.ThePianpuzicultureisalateNeolithicarcheologicalculturefollowingthelower-levelcultureofXinle.Itismainlyrepresentedbypolishedstoneaxes,finestonetools,andpotterypots,potsandbowlswithpiledpatterns.Itis5,000yearsago.Xinle’slower-levelcultureismainlyrepresentedbystone-madetools,polishedstonetools,finestonetools,refinedcoalproducts,anddeep-bellypotswiththe“Zhi”patternasitsmainrepresentatives.Itisabout7,000yearsago.Thecontentoftheupper-levelculturaldisplayofXinleiscomposedoffourparts:sitedistribution,settlementpatterns,tombcustoms,andculturalrelics.Thecontentofthelower-levelculturaldisplayofXinleiscomposedofthebeginningofcivilization,sunrise,fishingandhunting,totemworship,culturalmystery,etc.composition.Intheformoftheexhibition,multimediaimagingtechnologiessuchasphantomimaging,virtualinteraction,andauxiliaryscenedisplayareusedtofullyinterpretthegreatachievementscreatedbytheproduction,life,andspiritualandculturallifeoftheXinleancestors.
In 2020, "Cultural and Natural Heritage Day" Shenyang Xinle Site Museum launches "Han Style and Ancient Charm-Exhibition of Unearthed Cultural Relics from Yingchengzi Han Tombs"
In 2020, "Cultural and Natural Heritage Day" Shenyang Xinle Site Museum launches "Han Style and Ancient Charm-Exhibition of Unearthed Cultural Relics from Yingchengzi Han Tombs"
In2020,the"CulturalandNaturalHeritageDay"willtake"CulturalRelicstoGiveColortoaComprehensiveComfortableLife"asthetheme,"tospreadthevalueofculturalrelicsandshowtheChinesestyle".TheShenyangXinleRuinsMuseumlaunchedthe"HanStyleandAncientCharm-ExhibitionofUnearthedCulturalRelicsfromYingchengziHanTombs"onJune13.ThisexhibitionishostedbyShenyangMuseum(ShenyangPalaceMuseum),DalianPublicCulturalServiceCenter,ShenyangXinleSiteMuseum,DalianInstituteofCulturalRelicsandArchaeology(DalianHanTombMuseum).TheexhibitionperiodisfromJune13thtoDecember13th,2020.Thisexhibitionselects97(sets)ofculturalrelicsfromtheHantombsinYingchengzi,includingpottery,patternedbricks,coppercartsandhorses,andglassornaments.Theexhibitionrevealsthepolitics,economy,andcultureofDalianduringtheHanDynastythroughexquisitepicturesandmaterials.ThecharacteristicsofdevelopmentandthecloseconnectionbetweenDalianandsurroundingareasintheHanDynasty.
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In2020,the"CulturalandNaturalHeritageDay"willtake"CulturalRelicstoGiveColortoaComprehensiveComfortableLife"asthetheme,"tospreadthevalueofculturalrelicsandshowtheChinesestyle".TheShenyangXinleRuinsMuseumlaunchedthe"HanStyleandAncientCharm-ExhibitionofUnearthedCulturalRelicsfromYingchengziHanTombs"onJune13.ThisexhibitionishostedbyShenyangMuseum(ShenyangPalaceMuseum),DalianPublicCulturalServiceCenter,ShenyangXinleSiteMuseum,DalianInstituteofCulturalRelicsandArchaeology(DalianHanTombMuseum).TheexhibitionperiodisfromJune13thtoDecember13th,2020.Thisexhibitionselects97(sets)ofculturalrelicsfromtheHantombsinYingchengzi,includingpottery,patternedbricks,coppercartsandhorses,andglassornaments.Theexhibitionrevealsthepolitics,economy,andcultureofDalianduringtheHanDynastythroughexquisitepicturesandmaterials.ThecharacteristicsofdevelopmentandthecloseconnectionbetweenDalianandsurroundingareasintheHanDynasty.
"Good Gold and Beautiful Jade-Shang, Zhou and Han Bronze·Jade Popular Science Exhibition" enters Shenyang Xinle
"Good Gold and Beautiful Jade-Shang, Zhou and Han Bronze·Jade Popular Science Exhibition" enters Shenyang Xinle
OnthemorningofSeptember12th,the"GoodGoldandBeautifulJade-ShangandZhouHanBronzeandJadePopularScienceExhibition"jointlyorganizedbyShenyangXinleSiteMuseum,SuizhouArtMuseum,YunmengCountyMuseumandAnyangMuseum,washeldinShenyangXinleThetemporaryexhibitionhalloftheRuinsMuseumwascarriedoutasscheduled.TeachersandstudentsfromShenyangMuseum(ShenyangPalaceMuseum),SuizhouJiuzhouArtMuseum,SchoolofHistoryofLiaoningUniversity,andrelevantleaders,staffandmediareportersofShenyangXinleSiteMuseumattendedtheopeningceremony.  Shang·Zhou·ChunQiuandWarringStatesuntiltheQinandHandynasties,morethantwothousandyearsoftimeandspace,ahistoryofinscription.PiecesofingeniousbronzeandjadewarescarrythemarchingpaceandspiritualbeliefsofthevigorousriseofChinesecivilization,andpushhumanbronzeandjadeculturetothepeak.NotonlyshockedChina,butalsoshockedtheworld,creatingthemostgloriousbronzeritualandmusiccivilizationinhistory.Thisexhibitionselects48bronzesand20jadewaresfromtheShang,ZhouandHandynasties.Itishopedthatthroughthisexhibition,theaudiencecanunderstandhistory,perceivecivilization,andexperiencetheprofoundnessofthemotherlandculturefromtheculturalcharmofbronzeandjade.ThemostprosperousBronzeAgeinChinesehistorywasstrangeandsplendidduringtheShangandZhoudynasties.Thegreatestinventionofthiseraiscastinbronzeandpaintedonoraclebones.Theancientbronzesareactuallygoldenintruecolors,onlyaftertheyearsaremottledandrustedbeforetheybecomegreen.Bronzeisagreatinventioninhumanhistoryandtheearliestalloyinthehistoryofworldmetallurgicalcasting.Tinandleadareaddedtoredcoppertobecomeanewalloy.Afterthousandsofyearsofchemicalreaction,thesurfaceofredcoppershowsblue-grayrust,soitiscalled"bronze".Therearemanykindsofancientbronzewares,includingcookingutensils,eatingutensils,waterutensils,musicalinstruments,cartsandhorses,weapons,currencyandlabortools.Accordingtoarchaeologicaldiscoveriesanddocumentaryrecords,acompletesetofbronzeritualvesselshaveappearedintheXiaDynasty;intheShangDynasty,thebronzeproductionprocesshasmatured.Mostofthebronzewaresofthisperiodwerehugeinsizeandexquisitelydecorated,andformedaritualvesselmainlywinevessels.System;thebronzeritualvesselsintheWesternZhouDynastydevelopedintoaritualinstrumentsystemcenteredonfoodutensilsandmusicalinstruments;duringtheSpringandAutumnPeriodandWarringStatesperiod,thecurrentsituationwasturbulent,andthebronzewaresofvariouscountriesflourished.Thepracticalityofbronzewaresinlifeincreased,andthefunctionsofritualvesselsgraduallydisappeared.DuringtheQinandHandynasties,withtheincreaseofironware,lacquerware,andporcelain,aswellasthechangeofpeople'slivinghabits,thebronzeheavyvesselsthatoncecarriedcountlessgloriesinhistorybegantowithdrawfromthestageofhistory.Chinaisacountrythatadmiresjade,andtheintrovertedbutunassumingculturalconnotationofjadeisrootedintheheartsofeveryChinese.AsearlyastheNeolithicperiod,jadearticlesappearedastoolsandornamentsofourancestors.StartingfromtheShangDynasty,jadearticleshavebecomeornaments,adornthelivesofprincesandgenerals,andbecomeamemorandumofcommunicationbetweenmanandgods.InthedevelopmentofChinesejade,jadesculptureswithvariousanimalthemesarecommon.Exceptforsomemythicalanimalswithtotemsymbols,variousanimalsinrealityalsoemergeinanendlessstreaminancientjade.Bronzeandjadewaresweresymbolsofthestatusandstatusofthearistocracyinthepre-Qinperiod,andplayedaveryimportantroleinthematerialandspirituallifeoftheancientaristocraticsociety.InChina2400yearsago,people’sknowledgeofthingswaslimited,andtherewasnoadvancedscienceandtechnologytoassistthem.Undersuchlimitedconditions,theancientsreliedontheirownwisdomandsuperbskillstoproducetheseingeniousworksofart.Donotimpressustoday.  Wehopethatthroughthisexhibition,moreChinesedescendantscanlearnabouthistory,perceivecivilization,andappreciatethespiritualcivilizationofancientChinesesocietyfromtheculturalcharmofthesebronzeandjadeobjects.TheexhibitionwilllastuntilDecember12,2019.Formorenationaltreasuresandthestoriesbehindtheculturalrelics,pleasecometothesitetolearnmore!
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OnthemorningofSeptember12th,the"GoodGoldandBeautifulJade-ShangandZhouHanBronzeandJadePopularScienceExhibition"jointlyorganizedbyShenyangXinleSiteMuseum,SuizhouArtMuseum,YunmengCountyMuseumandAnyangMuseum,washeldinShenyangXinleThetemporaryexhibitionhalloftheRuinsMuseumwascarriedoutasscheduled.TeachersandstudentsfromShenyangMuseum(ShenyangPalaceMuseum),SuizhouJiuzhouArtMuseum,SchoolofHistoryofLiaoningUniversity,andrelevantleaders,staffandmediareportersofShenyangXinleSiteMuseumattendedtheopeningceremony.  Shang·Zhou·ChunQiuandWarringStatesuntiltheQinandHandynasties,morethantwothousandyearsoftimeandspace,ahistoryofinscription.PiecesofingeniousbronzeandjadewarescarrythemarchingpaceandspiritualbeliefsofthevigorousriseofChinesecivilization,andpushhumanbronzeandjadeculturetothepeak.NotonlyshockedChina,butalsoshockedtheworld,creatingthemostgloriousbronzeritualandmusiccivilizationinhistory.Thisexhibitionselects48bronzesand20jadewaresfromtheShang,ZhouandHandynasties.Itishopedthatthroughthisexhibition,theaudiencecanunderstandhistory,perceivecivilization,andexperiencetheprofoundnessofthemotherlandculturefromtheculturalcharmofbronzeandjade.ThemostprosperousBronzeAgeinChinesehistorywasstrangeandsplendidduringtheShangandZhoudynasties.Thegreatestinventionofthiseraiscastinbronzeandpaintedonoraclebones.Theancientbronzesareactuallygoldenintruecolors,onlyaftertheyearsaremottledandrustedbeforetheybecomegreen.Bronzeisagreatinventioninhumanhistoryandtheearliestalloyinthehistoryofworldmetallurgicalcasting.Tinandleadareaddedtoredcoppertobecomeanewalloy.Afterthousandsofyearsofchemicalreaction,thesurfaceofredcoppershowsblue-grayrust,soitiscalled"bronze".Therearemanykindsofancientbronzewares,includingcookingutensils,eatingutensils,waterutensils,musicalinstruments,cartsandhorses,weapons,currencyandlabortools.Accordingtoarchaeologicaldiscoveriesanddocumentaryrecords,acompletesetofbronzeritualvesselshaveappearedintheXiaDynasty;intheShangDynasty,thebronzeproductionprocesshasmatured.Mostofthebronzewaresofthisperiodwerehugeinsizeandexquisitelydecorated,andformedaritualvesselmainlywinevessels.System;thebronzeritualvesselsintheWesternZhouDynastydevelopedintoaritualinstrumentsystemcenteredonfoodutensilsandmusicalinstruments;duringtheSpringandAutumnPeriodandWarringStatesperiod,thecurrentsituationwasturbulent,andthebronzewaresofvariouscountriesflourished.Thepracticalityofbronzewaresinlifeincreased,andthefunctionsofritualvesselsgraduallydisappeared.DuringtheQinandHandynasties,withtheincreaseofironware,lacquerware,andporcelain,aswellasthechangeofpeople'slivinghabits,thebronzeheavyvesselsthatoncecarriedcountlessgloriesinhistorybegantowithdrawfromthestageofhistory.Chinaisacountrythatadmiresjade,andtheintrovertedbutunassumingculturalconnotationofjadeisrootedintheheartsofeveryChinese.AsearlyastheNeolithicperiod,jadearticlesappearedastoolsandornamentsofourancestors.StartingfromtheShangDynasty,jadearticleshavebecomeornaments,adornthelivesofprincesandgenerals,andbecomeamemorandumofcommunicationbetweenmanandgods.InthedevelopmentofChinesejade,jadesculptureswithvariousanimalthemesarecommon.Exceptforsomemythicalanimalswithtotemsymbols,variousanimalsinrealityalsoemergeinanendlessstreaminancientjade.Bronzeandjadewaresweresymbolsofthestatusandstatusofthearistocracyinthepre-Qinperiod,andplayedaveryimportantroleinthematerialandspirituallifeoftheancientaristocraticsociety.InChina2400yearsago,people’sknowledgeofthingswaslimited,andtherewasnoadvancedscienceandtechnologytoassistthem.Undersuchlimitedconditions,theancientsreliedontheirownwisdomandsuperbskillstoproducetheseingeniousworksofart.Donotimpressustoday.  Wehopethatthroughthisexhibition,moreChinesedescendantscanlearnabouthistory,perceivecivilization,andappreciatethespiritualcivilizationofancientChinesesocietyfromtheculturalcharmofthesebronzeandjadeobjects.TheexhibitionwilllastuntilDecember12,2019.Formorenationaltreasuresandthestoriesbehindtheculturalrelics,pleasecometothesitetolearnmore!

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